previous Exhibitions

Bugai Whyoulter - Survey Exhibition 2015 - 2021

27-Apr-2022 - 13-May-2022



Alcaston Gallery, in conjunction with Martumili Artists, is delighted to present an important survey exhibition of paintings by Bugai Whyoulter, a Kartujarra woman and a senior custodian of the lands surrounding Kunawarritji in Western Australia, with a curated selection of the artist’s significant works from 2015 to 2021 based on Place - depicting key sites across Whyoulter's ngurra (Country).

Winner of the General Painting Award in the 2021 Telstra National Aboriginal and Torres Strait Islander Art Awards for her painting Wantili (Warntili, Canning Stock Route Well 25), Whyoulter is known as a master of colour and gesture.

Born of the pujiman generation (meaning bush or desert born and dwelling), Whyoulter spent the first thirty years of her life travelling the eastern side of the Karlamily (Rudall River) region and along the midsection of what was later known as the Canning Stock Route - an 1850 kilometre-long track that traverses the Great Sandy, the Little Sandy and the Gibson Deserts of Western Australia - from Kartarru (Canning Stock Route Well 24) to Kunawarritji (Canning Stock Route Well 33). The intimate knowledge she holds from this time, of the land, its hidden water sources and the stories that shape them, is effortlessly transferred to her paintings through a practice that is intuitive, gestural, and highly perceptive.  

Following the artist's recent success at the Telstra National Aboriginal and Torres Strait Islander Art awards and exhibition at the Museum and Art Gallery of the Northern Territory, this important survey exhibition maps not only the artist's practice over the past six years, but also provides a sense of place and context, depicting key water sources of Wantili, Kaalpa, Parnngurr,  Wangkaklu, Tiwa and Kartarru, places long revered and understood by Whyoulter and the Martu people.

Considered one of the most established Martumili Artists working today, Bugai Whyoulter has been acquired by several major national institutions and exhibited widely both nationally and internationally

© The Artist, Martumili Artists and Alcaston Gallery, Melbourne 2022

Beverly Burton • Ngayuku Kamiku Ngura, Holding onto Grandmother’s Country

20-Jul-2022 - 05-Aug-2022




Alcaston Gallery is thrilled to present Ngayuku Kamiku Ngura - Holding onto Grandmother’s Country, the first solo exhibition of new paintings and ceramic works by Beverly Burton at Alcaston Gallery, one of the most exciting and innovative emerging artists working today at Amata in the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands of far north-west South Australia.

Shirley Macnamara • Through the Gidgea and Gum Trees. Over Spinifex Ridges and Black Soil Plains - Major Commission for CIAF 2022

06-Jul-2022 - 06-Aug-2022


Alcaston Gallery represented artist Shirley Macnamara recently presented the largest sculpture of her career at the Cairns Indigenous Art Fair in 2022, as one of 18 leading Queensland Indigenous artists commissioned to present new work at CIAF's inaugural Big Sculpture Showcase.

Renowned for her artistic and sculptural expressions of Country, Macnamara creates objects such as guutu (an Indjalandji word meaning ‘a vessel to carry’), baskets and large installations that reflect forms in nature. Poetic objects of immense beauty and poignancy; her works are evocative representations of the harsh, dry, yet beautiful region of her traditional Indjalandji Country surrounding Camooweal and her home on Mt Guide in far north-west Queensland.

Macnamara’s most recent work, the large-scale sculpturThrough the Gidgea and Gum Trees. Over Spinifex Ridges and Black Soil Plains, takes the form of a large scale guutu. Entwined in horseshoes, horsehair, spinifex, ochre, steel and copper wire, this work is an embodiment of Macnamara’s relationship to the land - created from materials as entwined in this region as they are in Macnamara’s own history.

The catalogue for Through the Gidgea and Gum Trees. Over Spinifex Ridges and Black Soil Plains, including details of Macmanara’s process and purpose in creating this powerful work, the largest of her career to date, can be accessed here: SHIRLEY MACNAMARA • Through the Gidgea and Gum Trees. Over Spinifex Ridges and Black Soil Plains. 


Tiger Yaltangki - Let There Be Rock

15-Jun-2022 - 15-Jul-2022



Alcaston Gallery is thrilled to present a new body of work by one of Australia’s most innovative and exciting contemporary artists, Tiger Yaltangki in his ninth solo exhibition, 'Let There Be Rock'.

Defined as one of Australia’s most idiosyncratic contemporary artists, leading Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands artist Tiger Yaltangki’s intersectional paintings merge influences and iconography from both inherited Aṉangu cultural knowledge and popular culture. In particular, Yaltangki revels in the vivacious artistic portrayal of late 1960s and 1970s rock music idols, science fiction characters and British mod-comedians; whimsical subjects who figuratively burst out of the canvas in an explosion of vibrant colour and electrifying energy. 

By aligning these two major creative influences – one purporting to deep cultural significance, the other alluding to the post-modern – Yaltangki offers a unique artistic perspective that embodies contemporary life in Australia today.



25-May-2022 - 10-Jun-2022


Alcaston Gallery presents a remarkable selection of paintings by the late Mary Kanngi (c.1925 - 2005)

Born in 1925 near the banks of the Moyle River in the Northern Territory, Kanngi and her family were among the first settlers of the Daly River Mission in the 1950s, in the region of Ngambu Ngambu (Peppimentarti). A master of colour and composition Kanngi has been likened to the "Northern Territory's Jackson Pollock" (The Guardian​​​​​​​, 2019), captivating the art world with her bold, highly gestural and expressive brushstrokes and a broad palette of startling colour.

Kanngi’s paintings depict her homeland of Ngambu Ngambu and the surrounding areas; her bold and expressive style evoking the lush billabongs, flora and fauna of her Country. With an innate sense of colour and design, Kanngi's style was unique and inimitable.

Following the artist's passing in 2005, Mary Kanngi has been remembered as an extraordinary artist with a determined spirit. This important suite of works, acquired over the course of Kanngi's artistic career from the Merrepen Art Centre, has been archived by Alcaston Gallery out of respect for the artist following her passing, until now. Alcaston Gallery is honoured to present this limited release in acknowledgement and respect of one of the Daly River region’s most influential artists.

Betty Kuntiwa Pumani - Kunpu Naranyi (Standing Strong)

18-May-2022 - 10-Jun-2022



Alcaston Gallery is honoured to present a solo exhibition by acclaimed Anangu Pitjantjatjara Yankunytjatjara (APY) Lands artist Betty Kuntiwa Pumani.

Recognised as one of the most distinctive painters in Australian contemporary art working today, Pumani’s large scale visionary compositions depict her mother’s Country of Antara, a significant ceremonial site north-west of Mimili community in north west South Australia. 

An artist of sophistication and restraint, Pumani continues to paint using her refined and distinctive palette of cobalt blues, vibrant reds and shimmering cream and grey - intense and saturated colours that have become synonymous with her practice – yet in this new body of work Pumani explores innovative compositional techniques, utilising complex motifs and tonal variations, signalling an exciting artistic progression.  

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